As in Farm, Nickerson presents landscapes alongside portraiture but unlike those of her first project, Terrain's labourers remain anonymous, each worker's face disguised by the tools or materials of their trade – from plastic crates and sheeting to jagged banana leaves. "This more sculptural structure, where the identity of the person becomes intertwined with what they are growing, is a kind of metaphor for the process of labour, and how we can’t escape the physical and psychological effects of what we engage with," Nickerson explains. The images are hugely powerful, shying away from usual methods of photojournalism and instead employing a reduced but mesmerising artistic language to raise key questions surrounding the issues of crop specialisation, subsistence farming and food security.
Images c/o Jackie Nickerson