Why a runway show now?
To see my crowd appreciate our 16 year journey and the brand’s provenance. To see the clothes move. I like the idea that it’s live and not just another static image. As we continue to grow, it’s important to show our clothes on a global stage.
How did you think about the styling?
Comfort. No tricks; nothing to distract from fabric or silhouette. I like clothes that are believable and fit for purpose, but that doesn’t mean they’re boring. I’ve always enjoyed those Martin Margiela for Hermès shows where everything looked comfortable.
Let’s talk trousers.
In many ways, we really are a pants brand. The Sorte [look 1] was the first men’s pant I designed, and it has never been out of stock; for the runway it’s cut in an elevated bonded gabardine. There is a new straight, gently curved unisex jean - Alwyn - in black or white Japanese denim with a sleek tailoring pocket. [looks 6, 10, 11, 13 and 16] For women, the Albany [looks 2, 12 and 26] is long and lean with a forward side seam in bonded gabardine, the Afton [look 5] features a precise panini crease, running into a fluid break. For men, a new suiting pant in Scottish heritage wool - Taunton [look 18] - is cut with a long rise, an 80s droopy fit and tapered leg, while the softly curved Cessna [look 8] that breaks into a taper is made in a washed weather cloth with utility details.